| Publications: | ||
|---|---|---|
| "Agency, Determinism, Focal Time Frames, and Processive Minimalist Music," chapter 6 in the book Musical Narrative After 1900, Michael Klein and Nicholas Reyland (Eds.), forthcoming from Indiana University Press in October 2012 | Full Text | |
| "An Imagined Drama of Competitive Opposition in Carter's Scrivo in Vento (with Notes on Narrative, Symmetry, Quantitative Flux, and Heraclitus)," Music Analysis v.28, 2-3, 2009 (Winner: 25th Anniversary Competition) | Abstract | Full Text |
| Review Article on Repetition in Music: Theoretical and Metatheoretical Perspectives by Adam Ockelford. Psychology of Music 35 (2) 2007 (citations of this on the web: 1, 2) | Abstract | Full Text |
| "The Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker and Matthew Brown" Music Theory Online 2.4, 1996 (citations of this on the web: 1 2 3 4) | Abstract | Full Text |
| Conference and Colloquium Presentations: | ||
|---|---|---|
| "Interactive Computer Simulation and Perceptual Training for Unconventional Emergent Form-bearing Qualities in Music by Ligeti, Carter, and Others" poster presentation, Society for Music Perception and Cognition, Rochester, NY, August, 2011 | Abstract | poster |
| "Duality of metaphor for time and music: applications to computational-phenomenological analysis of musical form and expression," plenary session roundtable on Metaphor, Seventh International Conference on Music Since 1900 / Society for Music Analysis Conference, Lancaster, U.K., July 2011 | ||
| "Flux of Upward: A Computational Model of a Textural Device in Ligeti's Late Music," Northeast Music Cognition Group, New York University, April 2011 | ||
| "Emergent Flux Projecting Form in Ruth Crawford Seeger's Quartet (1931)," Society for Music Theory, Indianapolis, Indiana, November 2010 and Seventh International Conference on Music Since 1900 / Society for Music Analysis Conference, Lancaster, U.K., July 2011 | Abstract |
Full Text download audio-visual |
| "Dynamic Form (Flux of vertical cellularity in Isaac's Quis Dabit and flux of pitch freshness)" Northeast Music Cognition Group, Yale University, May 2010 | ||
| "Hybrid analysis interprets multi-transformational form in Brahms's Wir Wandelten," Music Theory Society of New York State, New York City, April 2010 | Abstract | Text, diagrams, and audio |
| "Dripping, Leaking, Framing, Flowing, and Dynamic Form: Narrative Allusions to Heraclites and Hitchcock" Sixth International Conference on Music Since 1900, Keele University, U.K., July 2009 | Abstract |
Full Text download audio-visual |
| "Introduction to Temporal Dynamic Form Theory and Analysis" Colloquium (by invitation), Harvard University, Department of Music, April 2009 | ||
| "An Imagined Drama of Competitive Opposition in Carter's Scrivo in Vento" Society for Music Analysis, Cardiff, U.K., 2008 (Winner: 25th Anniversary Competition) | Abstract |
Whittall's review of this |
| "A Binary-state GIS Models a Contour Motive that Helps Chords Talk Long-distance in Schoenberg's Op.11, No.2" Music Theory Society of New York State, Rochester, 2004 and Society for Music Theory, Seattle, 2004 | Abstract | Handout |
| "Long-term Memory and Perception of Octave-Equivalence with Atonal Melodies" Society for Music Perception and Cognition, Toronto, 2000 | Abstract | Full Text |
| "Conceiving and Communicating Multiplicity in Post-Tonal Music Analyses" co-authored with Richard Randall, Society for Music Theory, Toronto, 2000 | Abstract | Handout |
| Other | ||
|---|---|---|
| Introduction to a forum of reviews of Nicholas Cook's Analysing Musical Multimedia in Integral v 16/17, 2002/2003 | Text | |
| "Dose-ranging study of Indole-3-Carbinol for breast cancer prevention" Journal of Cellular Biochemistry v 67/S28-29: 111-16 (authors: George Y.C. Wong, Leon Bradlow, Daniel Sepkovic, Stephanie Mehl, Joshua Mailman*, Michael P. Osborne) (cited more than 100 times) | Abstract | Full Text |